Sign In or get an account! Actually, I plan to buy three of his CDs later this month: Here is a link: Sounds interesting, but I need to hear some music. Delle imprese eroiche dell’ebreo non viene quasi fatto cenno nel libretto di Ferdinand Lemaire, che si concentra invece sui conflitti interiori del personaggio. A former member of a choir, he was raised in the musical milieu influenced by the eminent Italian musicologist Massimo Mila. Pinchas Steinberg , Conductor. The story was first made into a feature film in Austria in , followed by Cecile B.

His stage presence is not, however, aided by the direction — awkward and static —and his character was poorly developed. Le scenografie sono di gusto cinese e i costumi sono incongruamente lussuosi con ricchissimi ricami. Yet it isn’t a sort of sloppy application of his style with the edits and odd angles all feeling necessary. Pinchas Steinberg correctly directed a score that he knows well, but he seemed to bother to highlight the amazing orchestral riches, with tempi sometimes slowed down too much. The story was first made into a feature film in Austria in , followed by Cecile B. Sign In or get an account! Whatever it is, it certainly sounds worth investigating further.

Female voices dominate in the vocal cast: Thanks for the infos! By Renato Verga17 November The most shocking thing though…. Click here for conditions of use. Part of my 5 Directors x 5 Unseen Films 19 challenge.

LA BIBBIA: SANSONE E DALILA

Frisina takes a leaf out of Rozsa’s book and transports it to modern day sensibilities. Kunde riporta sulla scena un Samson lirico, dopo che nel secolo passato il ruolo aveva toccato un vertice drammatico con Del Monaco o Vickers.

He has always had a particular passion for music and the stage. A newly composed work for the film which, by most accounts, is rather uneven and poorly acted. Our privacy policy was last updated on Friday 25 May View it here Dismiss. Sign In or get an account! FalkirkBairn wrote I’m not dapila sure iflm this is. I’m not too sure what this is. Pinchas Steinberg dirige correttamente uno spartito che conosce bene ma di cui non sembra abbia voglia evidenziare le sorprendenti ricchezze orchestrali.

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This was Daniela Barcellona’s biibbia in the role. How to add your events to Bachtrack. This remake by director Nicolas Roeg was intended for television and first aired on TNT on December 8, as part of the network’s “The Bible” line-up.

Timmer wrote A composer I definitely intend to get some works from. De Ana looks back at the biblical films of the s, but here are no Hedy Lamarr or Victor Mature, unfortunately, and those hoping that the performance would be a mocking rendition of Cecil B DeMille’s Samson and Dalilah feature film would have waited in vain.

The duet between Dalila and the High Priest of Dagon, a superb Claudio Sgurafell flat and the finale four firecrackers and some debris falling from above was quite disappointing. Yes, indeed it is! This was extremely different from what I was expecting in just about the best sort of way. La sua prestazione rivela ancora una volta il miracolo di una voce che continua a sorprendere per freschezza, potenza ed eleganza. Has Marco Frisina composed a new score for the silent film Christus?

Which of his scores for the TV series La Bibbia is the best? Martijn wrote I’d love to hear someone’s opinion on the score if and when they’d get it! It is written in the BibleBook of Judgesand it is a subject well suited for an oratorio — Handel set it to music on a text by Milton in Almeno qui ci voleva un bel cataclisma! Fifteen years later, the Philistines are Samurai warriors in this new setting, co-produced with the Beijing National Centre for the Performing Arts, where the opera was presented last year.

Very, very, very nice!

MARCO FRISINA –

Kunde’s Samson is lyrical again, rather than the dramatic apex the role reached in the last century with the likes of Mario del Monaco or Jon Vickers. The sets are in an imposing Chinese taste and the costumes incongruously luxurious with super rich embroidery. To add a comment, please Login or register. The story was first made into a feature film in Austria infollowed by Cecile B.

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More by Renato Verga. I have only heard so far Abramo.

The parts with Dennis Hopper were good, but the other parts were boring. InRenato started his own bloglq now has posts.

Ennio Morricone – Vikipedio

I am glad they pointed dqlila that Samson’s riddle was not a real riddle. Pinchas Steinberg correctly directed a score that he knows well, but he seemed to bother to highlight the amazing orchestral riches, with tempi sometimes slowed down too much. Le scenografie sono di gusto cinese e i dslila sono incongruamente lussuosi con ricchissimi ricami.

A question of the fellow Frisina fans: Pinchas SteinbergConductor. Very annoyed it’s merely an MP3 purchase, which I simply will not do any more. There are lots of sound samples on his official site which capture his style quite well. The music continuously swings between a strict religious atmosphere and sensual eroticism, grave tonal chords and oriental melismas.

Just had a first listen to his score for the mini series Pompei. Yeah, it was because of Pompei that I am getting more and more stuff from him With a total runtime….

Sounds interesting, but I need to hear some music. At least one should expect samsone well staged catastrophe! Late Roeg having the rap it does with the previous films in the series I thought at best this could be a dry excuse for some basic cable soft core violence and sex, but the end result is much more stylish and intelligent than that.

Samson was a Nazarite, a chosen one, like Jacob or Isaac, and his birth was a miracle because his mother was barren.

I discovered Frisina’s work last year and I have been amazed by his compositions ever since. Mara and Manoa are both upstanding and religious Israelites living under the harsh and unjust rule of the Philistines.