It tells the story of a widow, Mennana, who is the mother of four daughters and who struggles to keep them in control and confine them to their home. Skip to main content. The first series is Bnat Lalla Mennana which was elected as a practical example of the traditional way in which women are depicted. She also opens a box in which he kept his Tasbih beads, favorite cassettes, smoking pipe and photo album. Interestingly, this scene depicts the sudden emancipation that the absence of the father figure leaves. Analysis of the Images of Women
Karima zealously expresses that women can work outside, and then they would see if men can take care of the cattle, fetch water and do housework, nurture the children and cook. It is the newest one of the two as it was only aired in It was chosen in order to shed light on how the conservative mentality regards women and it serves as a unique example of a series that features a feminist figure who originates from a rural area which is worth considering and putting under the microscope. The following morning, the maid confesses to another maid that she is saddened by the death of their employer and the he was a kind and generous man, she even wished that Mennana, her mistress, died instead of him because of her rough treatment towards them. Mounia soon realizes that her sister is merely being cynical. Her friends are afraid that she might have killed him and she says that he deserves it for peeking at them. This reinforces the conservative attitude that rural fathers have towards their daughters and the constraints that they apply on 21 Dar el Ghezlane, Episode 1 www.
Hanae and introduces himself. As soon as she opened the letter she discovered what seemed to be a will but someone called bbnat before she could read it. Hajj Bahi and Mounia Episode 1, She pretends that she is attracted to him and that arouses his suspicions which push him to leave hurriedly.
She wonders aloud and asks Rhimou whether it was a memana or under warranty. In another demonstration of sheer bravado, Karima publically challenges the authority of the father figure. Hajj Bahi stops 29 Dar el Ghezlane, Episode 1 www.
Karima makes it clear that neither him, bnar belt nor the villagers can keep her quiet. Rhimou suddenly enters the kitchen and catches Lallq in the act. She also explained how her son suffered with Mennana and lived a bitter life. This gives the impression that lapla are living under emotional oppression and consequently are in a sense waiting for the moment in which they would be liberated to experience their romantic escapades freely which is an inaccurate representation lalal the women because they do not all live under the same circumstances.
During the funeral, as the guests are mourning the dead man, two of the daughters, Bahia and Chama played by Noura Skalli and Samya Akeryou, argue in whispers as the first one blamed the second for not painting the windows properly. He says that he cannot wait to wed her and have her as his lawful wife.
After noticing what Hajj Bahi is planning to do, Amina quickly pulls her husband and walks towards Hajj Bahi and Rachid to sabotage his plan by showing him that Karima has a hot-tempered nature.
Once more, women are depicted as being deceitful and sycophantic. Younes asks him if he will ever change and says that Dr. The eldest daughter offered to tend to the widows after the guests are gone while showing her frustration after mopping the floor of the whole house. As they stop, Hajj Bahi asks Karima about the meaning of all this, and claims that she is embarrassing herself.
Karima confidently declares that they are fed up with silence and that God has given a brain to both men and women and the same blood and that they should fight the darkness that resides in the minds of men.
She explains that she is pregnant.
مسلسل بنات لالة منانة الحلقة 5 Bnat Lala Mnana Episode 5
He then asks him if he is married or not, after Rachid says that he is still single Hajj Bahi asks him to pay mnana a visit at home to get to meet Karima who has grown up and became a woman. It tells the story of a widow, Mennana, who is the mother of four daughters and who struggles to keep them in control and confine them to their home.
She speaks about the inequality that they suffer from and that men are the only ones who are privileged. The following morning, lslla maid confesses to another maid that she is saddened by the death of their employer and the he was a kind and generous man, she even wished that Mennana, her mistress, died instead of him because of her rough treatment towards them. Karima sarcastically pretends to be excited and says that she should be pretty to meet the eligible bachelor.
She says that she knows what the women of the village are afraid of. Mounia quickly gets angry with him for talking about her sister that way. After looking at her face, Hajj shouts at her because apparently she was wearing make-up. This perpetuates the idea that even if a woman has reached the peak of her career and episods financially independent and highly educated she is still susceptible to the tricks played by men.
She then started gossiping in a low voice and sneering at the daughters telling the other woman that they only appear to be well-behaved whereas in fact they are reckless and immature.
Karima comes running and grabs a rock; she hits him in the head knocking him unconscious. Anis, then tries his last trick as he asks Dr. The way he leered at her showed a clear sexual interest or otherwise deep affection.
The first part of this paper provided an overview of the audiovisual situation of Morocco through proposing some statistics about the viewership of the Moroccan channels to stress the sheer impact that television has on the Moroccan population and that it reaches an important percentage of homes.
This is exemplified when Sfiya sobs with lapla granddaughters and blames their mother in front of them for putting their father through a lot of misery. Mounia expresses her desire to get married and tells Mennana that Rachid has just returned from Spain and that he is downstairs with her father. Contrary to the first scenes, this one does perpetuate stereotypes; on the contrary, it challenges them.
At the first glance this might seem like an ordinary scene.
Bnat Lala Mnana Ep 21 – بنات لالة منانة الحلقة الواحدة و العشرون
Although met with some resistance, the scene gives the impression that rural women can claim their rights and voice their opinions provided that there is someone to raise their awareness and encourage them to pursue recognition and equality. She replies that it is neither an embarrassment nor a scandal, and that the only reason they think so is because men were accustomed to women being silent and obedient but now they have freewill.
Mounia calms him and says that sooner or later Karima will marry and have a house and kids like all other women.